Quick Reference

Time Period:
Prior to 1930

Location:
Herbert Keach Farm
Avery Road, Buckland, MA

Medium:
Oil on Canvas

Type:
Landscape

Category:
Sugaring

Size:
Originally 40 x 50
cut down to 24 x 36.

Exhibited:
Myles Standish Hotel, Boston, 1944
Springfield Art League, 1933

Purchased:
Still in the Woodward estate.

Provenance:
Widely exhibited in the early 1920's.
Still unsold at time of RSW's death.

Noteworthy:

This early painting deteriorated badly and paint was flecking off over large areas at the bottom. After RSW's death the painting was re-stretched onto a smaller stretcher frame and is now a 24 x 36.

Related Links

Featured Artwork: When Drifts Melt Fast

RSW's Diary Comments

"Painted prior to 1930. A large sugaring picture, hemlock and maple woods, a steep straggly hillside in the foreground, a team of horses drawing a red gathering tub down a rutted wood road in the upper middle distance. Red sap buckets, of course, scattered among the trees, lingering snow drifts here and there. Shown at the  National Academy in N. Y. in...then at the Annual Exhibition of the Springfield Art League (Mass.) where it was awarded in...This canvas hung several seasons in Miss Alice Brown's Sweetheart Tea House.  A very impressive canvas, but never sold (1947)" 

Comments on the back of a sepia print:

"Painted in H. L. Keach's sugar orchard in Buckland. The drawing of the trees is remarkable."

"Awarded First Landscape Prize in 1937, Springfield Art League Exhibition, Springfield, Mass."..


Additional Notes

An image of the partial The Springfield Union
article transcrbed to the left.

A full transcription of: The Springfield Union, Springfield, Mass. article pictured (right).

"Robert Strong Woodward of Shelburne Falls won the $100 prize for the best landscape with When Drifts Melt Fast.   This prize winning picture has a very recognizable quality that makes it kin to Mr. Woodward's other work, a clarity of vision, a delicacy of interpretation and a masterly technique.   Here is a New England scene distilled to its poetical essence in color and light, a thawing muddy wood road, snow filled to the ruts, the bare maple trees each flaunting a scarlet sap bucket and yonder in the distance the plodding team and rough wagon with the driver who has been collecting the sap.   The creation of still, sparkling cold with no medium but paint, is achievement enough. One detailed comment I cannot forbear, the drawing of the trees is remarkable.   With full light upon the bare trunks and leaden sky behind them they have been almost outlined in black and the further emphasis this gives the light upon them as well as the way it makes them live is surprising.   Mr. Woodward seems to have identified  himself in spirit with his trees.:"

"A brilliant work, full of the vitality and rhythm of spring surgings, red buckets on gray trunks, horses in the distance dragging their load of gathered sap - sunshine, promise, flickering through the leafless branches - but the inner meaning of the scene is conveyed in the deep irregular ruts of the foreground which the load has left in its trail." (Flora White, Heath, June 3, 1931)


Sap Gathering is a related piece with snow.

By B. K. , June 23, 1928

".....perhaps the most splendid of the entire lot is, however, done on a sunless day---a gloriously brilliant hillside, presumably in Vermont, of which one remembers best bluest sky and bright red buckets on the sugar maples.  This is Robert Strong Woodward's When Drifts Melt Fast.  It won a prize from the Springfield Art League and it is easy to see why....."

Boston Globe, May, 1929 by A. J. Philpott

"It is no wonder that the big picture, When Drifts Melt Fast, took first prize at the Springfield Art League Show a few years ago.   For that is a notable picture, not only in the virile manner  in which it is painted, but in the whole character of the composition...."