The artist did not keep a record of his pastel painting he called chalk drawings.
"Painted about 1935 or '36. One of my studio windows in Buckland. Exhibited at Manchester, Vt and elsewhere and bought from Manchester by Mrs. H. G. Young of Greenwich, Connecticut. She also owns chalk drawing of Bennington Church."
While we do not believe this pastel painting was part of the Francis P. Garvan Commission, we suspect Woodward traveled to Bennington and probably made the chalk drawing at the scene and used it to paint the oil painting in the studio. Note the autumn coloring of the trees, with the artist far from home, perhaps the temperatures were too brisk to spend a day without shelter close by.
Let's start by saying that this is the only known, "church-only"
painting we know to be sold by Woodward. Other finished church paintings, such as,
East Poultney Church and
Village Church in Winter, nor was the oil painting of this scene,
The Bennington Church, were never sold by the artist and other paintings were churches
appear, such as, Enduring New England, the church
is not the subject. As it is with, The Heart of New England,
the central theme is the typical "New England village center" and what typical village center did
not have a church? In fact, even the painting Village Church
in Winter was NOT initially made as a church painting! Woodward "re-painted" it from
an early 1920s painting where the frozen Deerfield River with ice skaters on it was the subject
just for the Garvan Commission. The church was a backdrop and maybe even hosted the event- of people
gathering.
What prompted the artist to paint Enduring
New England (which also had a pastel) was the still dirt road village center of Marlboro,
Vermont. The church in the painting which led to the Garvan Commission was, as is the tradition of
many New England villages, was called and is STILL to this day name-- The Marlboro Meeting House and
not "the church." Marlboro Meeting House
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