• Unfortunately,There is no entry for this painting in the painting diary...
... we would not know of this painting if it were not for the letter from Mrs. Everett's
lawyers. to Woodward regarding her estate.
It is NOT inconceivable to suspect that this painting
might be very similar to the preceding painting The Gray Barn. It was not
uncommon for Woodward to send Mrs. Everett a painting he knew she would appreciate. Later, he did something
very similar with his friend and interior designer Harold
Grieve. We believe it was a way to utilize both coast. The two similar paintings were unlikely to cross
each other's paths.
This painting was sold to Mrs. Henry Everett for her famous collection. It was later willed to the Pasadena Art Museum which sold it at a Sotherby's auction in Los Angeles on March 17, 1980, sale # 272, lot 324 to an unknown buyer.
Mrs. Everett was one of three women to strongly support and advocate for Woodward. She is one of two who met and knew him as a young adult, prior to him becoming a professional artist. Woodward's father Orion, a real estate developer, made his mark first by working for an Ohio developers, the Briggs Company, that later moved to Los Angeles, CA to work on numerous projects.
The Everetts, key in the development business through inter-bureau transportation and power (trollys) first in
Cleveland, OH and later took residence in Pasadena, CA. She is responsible for putting Woodward in the Los
Angeles Art Museum twice, and divided her paintings between the Pasadena Museum of Art and the San Diego Museum
of Art. The two were close enough for Woodward to visit with her at her hotel when visiting New York City for
the annual Watercolor Society Association's annual Spring show. Woodward was a member of the
society.
While relatively speaking, Mrs. Everett is mostly unknown, however, she was a great patron of
the arts and is credited with writing the check, that paid for the land that the famed Hollywood Bowl
sits to this day.
To read more about Mrs. Everett, please Click Here!