"...the pastel works - they're just fantastic. And I'm afraid that they photograph very well but you don't really appreciate the difficulty of making them until you see them up close. That as you know with pastel, you have to be very very good to make it work, because it hard to correct a mistake. With oil paint it's much easier to cover over the error. But these are really really spectacular."
Woodward almost never commented in his diary about chalk drawings
although remarkable in their own right, so we often include his comments regarding the oil sibling.
"Painted about 1930. The front facade and ell of a rare old house in Leyden village. House the main subject, weather beaten old white paint, with faded battered old green blinds, very fascinating to me. I have always considered this one of my finest expressions, perfectly painted, really ?big? picture, but it has never been very popular with the public. Farmer's wife in black with black cat in front yard."
"One of my most loved canvases. House faded white, much weathered, soaking in the sun, faded green blinds. Delicate and lovely in color. Outstanding canvas."
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"The others I group together because they have a central theme growing out of human habitations. 'The Genial Old House' is probably the friendliest of these. Its gable and the arches of the wing satisfied Mr. Woodward's love of harmony in line, the couch and the old man barely suggested in the drawing strike that note of homliness`which recurs persistent in Mr. Woodward's pictures."
Note that Ms. Matthews (who writes excellent reviews) describes the house accurately with front facing gable and the arches
of the wing. But she also mentions a man and a couch which does NOT appear in the 1933 oil painting. Nor does she mention a woman with a saucer
of milk for the cat trailing her. It is unlikely Ms. Matthews would leave out such information and so we are certain this chalk drawing is the same
house but a very different scene.
This chalk drawing was likely made the same year, but after,
Country Piazza (Feb.-Mar. 1929) which just so happens to have a man resting on the bench of his very gothic porch (piazza). The
importance of the year and the timing of these two paintings with similar themes is that Country Piazza was made around the time
the first tremor of impending financial disaster in March of 1929 and this pastel painting just weeks after Black Tuesday, the stockmarket crash that started
the Great Depression Era.
Painted in Leyden Village, Mass. down the hill from the town hall. House still standing, refaced but essentially the same.